100 Royalty-Free Audio Tracks for "E String"

This is a simple slide over the whole fretboard of my electric guitar, starting at e on the low e-string.

I scrapped a pick down the low e string of an acoustic guitar. Recorded with rode ntg-2 mic into zoom h6 handy recorder.

This is an open e guitar string. I reversed it, applied a bunch of filters, and then "re-reversed" it.

Open a (5th) and d (4th) strings in a chord. Sounds like a d 5th chord when used with e 5th.

Simple ukulele sound - you can make a nice sound effect, e. G. For games :).

Spacey guitar sound, slide from high e string 12th fret up. Added some reverb and delay.

This is a recording of an low open e string on an acoustic guitar that has been paulstretched. I think it sounds really cool.

This track was created in fl studiokey e♭ major.

This is a sawtooth waveform suitable for easily tuning guitar by ear, comprised of 20 seconds each of e-a-d-g-b-e in sequence. Adjust guitar volume to same volume as the tone, ideally through the same audio output. Tune the string close to the tone, then listen for the subtle beat-frequency indicating not-quite-perfect tune. When the beat frequency goes away, your guitar string is in perfect tune. Also useful for adjustable bridges. The open string and its 12th fret octave will both produce no beat-frequency when the bridge is adjusted properly.

Low e string on acoustic guitar scrape slide with pick. Increased pitch, wah-wah effect at 31. 2%, light tremolo,fade and noise reduction used. Recorded with conexant smart audio using at2020 mic, processed on audacity.

Some random notes. Recorded into cubase using a 4-string squier jazz bass and a behringer ultragain digital ada8200 converter. Cut in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know!. If you want more cc0 sounds, please consider supporting me on flattr. Https://flattr. Com/profile/cabled_mess.

Chopin: I Koncert fortepianowy e-moll op. 11, nr 2. LarghettoChopin - Piano Concerto no. 1, Op. 11 (string quartet)-2. Romanze – Larghetto

Chopin: I Koncert fortepianowy e-moll op. 11, nr 3. Rondo – VivaceChopin - Piano Concerto no. 1, Op. 11 (string quartet)-3. Rondo – Vivace

Chopin: I Koncert fortepianowy e-moll op. 11, nr 1. Allegro maestosoChopin - Piano Concerto no. 1, Op. 11 (string quartet)-1. Allegro maestoso

Samples takes from chimes made by cutting a galvanized steel pipe into specific lengths, each hung by a nylon string. Chimes were played by striking with a large steel nail.

I am playing on a viola softly on c e and g across 4 octaves without applying eq recorded with a dynamic microphone in my room with a computer using my hands to play the instrument.

F#2 played on the lowest string (e) of an acoustic guitar with an hammer-on technique on the left hand and with a mediator for the right hand. Recorded with a zoom h2n.

Crescendo demo, played without modulation. You will hear the registers Viola and Violin. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect.

Crescendo demo, played without modulation. You will hear the registers Viola, Violin and Horn. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect.

Crescendo demo, played without modulation. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

Crescendo demo, played without modulation. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

A set of orchestral hits with different instrumentations. All instruments play the note c. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

A set of orchestral hits with different instrumentations. The chord c major is played. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

A set of orchestral hits with different instrumentations. The chord c minor is played. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

A crescendo demo of the registers Violin, Viola and Horn, with modulation and sustain. You will hear random akkords with extreme rhytmic crescendo demo. The crescendo effect is monophonic, i. e. the keys have always to be released and pressed down again in order to get the crescendo effect. The crescendo only influences the registers Violin and Viola, not Trumpet/Horn and Contrabass and Cello. Note: Horn is the low pass filtered version of the register Trumpet, not an additional register. Trumpet sounds much brighter. If the button Horn is pressed, you may release the button Trumpet, without any change in sound. Horn means French horn. The Trumpet or Horn register offer the effects of the brass section in an orchestra. This is the famous and well known sound of the Arp/Solina String Ensemble! Data of instrument: Series 76 (Manufacturing year) No. 0131202 Manufactured by B. V. Eminent - Bodegraven - Holland

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550

Pad fx lead keys drum and bass 170bpm.

This is a recording of my fender jazz bass di'd directly into my interface. Hopefully this set up sounds good so i can upload more with these settings. Any suggestions? please comment below and thanks!.

L'Estro Armonico, Op. 3, Concerto No. 4 in E minor for four violins and strings, RV 550:

Short acoustic guitar riff effected by a filter. _two bars long. _98bpm_a minor. Can also work with e major/minor and a major depending on how you feel.

Bass and drum loop - brand new bass strings - come get 'em while their hot.

Som de violão com cordas de nylon sendo afinado. Gravação feita com microfone condensador akg 414. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Elastic with a condenser microphone. In a closed studio. Recorded for the subject of capture and audio edition of the course radio, tv and internet, universidade anhembi morumbi. Sao paulo-sp. Brazil. Elástico, com um microfone condensador. Em um studio fechado. Gravado para a disciplina de captação e edição de áudio do curso rádio, tv e internet, universidade anhembi morumbi. São paulo-sp. Brasil.

Snippets from recordings of me playing the tanpura. The strings are tuned to b, d, g and e, so would work well in the keys of g or e minor. I noticed that my first pack of tanpura samples has a bit of fuzzy white noise so in this pack i have equalized - i reduced all the very high frequencies which got rid of most of the white noise without affecting the low frequency sounds of the tanpura itself. Please note this is the tanpura part of an instrument called the swar sangam which combines the swarmandal (indian harp) and the tanpura, it is not a traditional tanpura and does sound slightly different.